But look were the doors are. They open facing the dish pylon.
I can understand the model of the USS Phonix made for The Wounded having this flaw, television production schedules being what they are. But one would figure that the problem would be addressed in the modified versions shown during the Dominion War.
Sorry, as much as I'd like to, I just can't ever fully subscribe to the Ian Fleming principle--"Fill your story with women, exotic locales and action, and pace it fast enough that the audience doesn't have time to ask too many questions." [Paraphrased]
Star Trek: TOS certainly thrives on this to the point of axiom, but I always find myself tempted to answer annoying questions in my own writing. Perhaps I should respond to similar queries about my Maid Wars scenarios by saying something akin to, "It's a story about women in martial themed mini dresses and high heeled combat boots who battle evil robots determined to tie them up and stuff them in maid uniforms with shorter skirts, and higher heels. Stop asking where the men are, moron!"
I can understand the model of the USS Phonix made for The Wounded having this flaw, television production schedules being what they are. But one would figure that the problem would be addressed in the modified versions shown during the Dominion War.
Star Trek: TOS certainly thrives on this to the point of axiom, but I always find myself tempted to answer annoying questions in my own writing. Perhaps I should respond to similar queries about my Maid Wars scenarios by saying something akin to, "It's a story about women in martial themed mini dresses and high heeled combat boots who battle evil robots determined to tie them up and stuff them in maid uniforms with shorter skirts, and higher heels. Stop asking where the men are, moron!"
Whew, that felt better.